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Andrei Tarkovsky

Sean Martin

Publication: February 2006
Extent: 256 pp
Format: A (178 x 111mm)
Price: 6.99
ISBN: 1904048498
EAN: 9781904048497
13 Digit ISBN: 978-1-904048-49-7
Binding: paperback
Market: Film
Rights: World
BIC Code:

  • The first book in English to consider the whole of Tarkovsky's oeuvre including, in addition to his feature films, his stage and radio works, his books, photographs, paintings and poems.
  • Tarkovsky is a cult figure whose appeal is not just limited to film buffs, but to a wide variety of people, as suggested by the popularity of his book Sculpting in Time
  • Tarkovsky’s work has now started to appear on DVD, exposing his work to a new market.
  • A fully comprehensive Filmography which no current English-language book has.

Andrei Tarkovsky is the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 70s.

Although he made only seven features, each one was a major landmark in cinema, the most well-known of them being the mediaeval epic Andrei Rublev – widely regarded as one of the greatest films of all time – and the autobiographical Mirror, set during the Russia of Stalin’s purges in the 1930s and the years of stagnation under Brezhnev. Both films landed Tarkovsky in considerable trouble with the authorities, and he gained a reputation for being a tortured – and ultimately martyred – filmmaker. Despite the harshness of the conditions under which he worked, Tarkovsky built up a remarkable body of work.

He burst upon the international scene in 1962 with his debut feature Ivan’s Childhood, which won the Golden Lion at Venice and immediately established him as a major filmmaker. During the 1970s, he made two classic ventures into science-fiction, Solaris, regarded at the time as being the Soviet reply to Kubrick’s 2001: A Space Odyssey and later remade by Steven Soderbergh, and Stalker, which was thought to have predicted the Chernobyl disaster. Harassed at home, Tarkovsky went into exile and made his last two films in the West, where he also published his classic work of film and artistic theory, Sculpting in Time. Since his death in Paris in 1986, his reputation continued – and continues – to grow.

In this book, Sean Martin considers the whole of Tarkovsky’s oeuvre, from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky’s writings, paintings and photographs. Martin also seeks to demystify Tarkovsky as a ‘difficult’ director, whilst also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub ‘imprinted’ or ‘sculpted’ time, and to make a case for Tarkovsky’s position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time.

Sean Martin is a writer and filmmaker. His books for Pocket Essentials include The Knights Templar, Alchemy and Alchemists, The Gnostics, The Cathars and Andrei Tarkovsky.

For a review copy or further information, please contact Chris Burrows PR
on 0161 445 6635 or email chris-burrows@o2.co.uk

Distribution UK: Turnaround, 3 Olympia Trading Estate, Coburg Rd, London N22 6TZ.
Pocket Essentials, PO Box 394, Harpenden, Herts, AL5 1XJ
Tel/Fax 01582 761264         http://www.pocketessentials.co.uk